Portrieux, le port marée basse [Portrieux, port at low tide]
Frame: 24 × 34 in. (61 × 86.4 cm)
Pontremoli, Paris, by 1899 [1]. E. Lataste, Paris; (Lataste Sale, Hôtel Drouot, Paris, December 23, 1901, no. 1) [2]; purchased by Georges Bernheim, Paris [3]. J. Cabruja, Paris; (Cabruja Sale, Galerie Georges Petit, Paris, May 20, 1921, no. 9) [4]; purchased by Dimier [5]. (Lyon, November 23, 1924, no. 36). (Madame D. Sale, Hôtel Drouot, Paris, November 26, 1929, no. 3) [6]. Galerie Pétridès, Paris [7]. Private collection, by 1964 [8]. Acquavella Galleries, New York City [9]. David Findlay Galleries Inc., New York City, by 1977 [10]; purchased by Sylvan [1898-1984] and Margaret [1906-1984] Goldman, Oklahoma City, 1977; extended loan to Oklahoma Museum of Art, May 1977; given to Oklahoma Museum of Art, December 28, 1981; transferred to Oklahoma City Art Museum, 1989; transferred to Oklahoma City Museum of Art, 2002.
[1] École des Beaux-Arts, Exposition des Œuvres d’Eugène Boudin (1899), no. 316; Schmit, Eugène Boudin (1973), no. 918 and Masters of the Landscape (1977), no. 26 imply that the work was in the collection of Pontremoli after it had been owned by Lataste, Bernheim, and Cabruja
[2] Hôtel Drouot, Catalogue (1901), no. 2; Schmit, Eugène Boudin (1973), no. 918; and Masters of the Landscape (1977), no. 26, in which the name is spelled Latase
[3] Hôtel Drouot, Catalogue (1901), no. 2; Schmit, Eugène Boudin (1973), no. 918; and Masters of the Landscape (1977), no. 26
[4] Galerie Georges Petit, Catalogue (1921), no. 9; Schmit, Eugène Boudin (1973), no. 918; and Masters of the Landscape (1977), no. 26
[5] Galerie Georges Petit, Catalogue (1921), no. 9 (annotated)
[6] Schmit, Eugène Boudin (1973), no. 918
[7] Schmit, Eugène Boudin (1973), no. 918 and Masters of the Landscape (1977), no. 26; it is uncertain if the work was in the possession of the Galerie Pétridès before or after (or between) the sales of 1924 and 1929
[8] Musée des Rennes, Eugène Boudin en Bretagne (1964), no. 34
[9] This according to an undated label on the verso of the work, it is unclear when the painting was at the gallery
[10] Correspondence from David Findlay, Jr., of David Findlay Galleries, March 23, 1977 and May 12, 1977