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Plate 64 from 'Los Caprichos': Bon voyage (Buen Viage.)
Plate 64 from 'Los Caprichos': Bon voyage (Buen Viage.)
Francisco de Goya
1799
Medium: Etching, burnished aquatint, and burin
Object number: 1966.026
Plate 67 from 'Los Caprichos': Wait till you've been anointed (Aguarda que te unten.)
Plate 67 from 'Los Caprichos': Wait till you've been anointed (Aguarda que te unten.)
Francisco de Goya
1797-1798
Medium: Etching and aquatint
Object number: L.2021.1.20
Plate 73 from 'Los Caprichos': It is better to be lazy (Mejor es holgar.)
Plate 73 from 'Los Caprichos': It is better to be lazy (Mejor es holgar.)
Francisco de Goya
1797-1798
Medium: Etching and aquatint
Object number: L.2021.1.21
Plate A from the 'Disparates': Well-Known Folly
Plate A from the 'Disparates': Well-Known Folly
Francisco de Goya
ca. 1816-1823, published before 1877
Medium: Etching and burnished aquatint
Object number: L.2021.1.25
Playing Field in a Suburb, Dublin
Playing Field in a Suburb, Dublin
Alen MacWeeney
1963
Medium: Inkjet print
Object number: 2020.185
The Pledger - Piegan
The Pledger - Piegan
Edward S. Curtis
1910, printed 1911
Medium: Photogravure
Object number: 1978.067
Public Access
Ploughing
Jenne Magafan
1937
Medium: Oil on canvas
Object number: 1942.022
Plowed Cattle Tracks, Forsyth, Montana
Plowed Cattle Tracks, Forsyth, Montana
William A. Garnett
1966
Medium: Gelatin silver print
Object number: L.2017.4.13
Poe On High Bridge
Poe On High Bridge
Bernard J. Rosenmeyer
1930
Medium: Lithograph
Object number: 1966.032
[Point Lobos, California]
[Point Lobos, California]
Brett Weston
1963, printed 1981
Medium: Gelatin silver print
Object number: 2006.110
Point Lobos Rock
Point Lobos Rock
Wynn Bullock
1973
Medium: Gelatin silver print
Object number: L.2017.4.1.12
Point Lobos Tide Pools
Point Lobos Tide Pools
Wynn Bullock
1972, printed 1973
Medium: Gelatin silver print
Object number: L.2017.4.1.11
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